# The Classical Era [Week 5 YouTube PlayList](https://www.youtube.com/playlist?list=PLQY0zQBqYyrVpcUzcpaQLewjqjtWapjrs) ## The Classical Period - "**c**lassical music" is general meaning, "**C**lassical music" specific means music from 1750 to 1820. - _Opera seria_ replaced by _Opera comique_ in French or _Opera buffa_ in Italian > [!summary] Recognizing a Piece by Bach or Handel > > - String Dominated > - Melody spins out in long, sometimes asymmetrical phrases > - Late Baroque full of polyphony > - Strong bass > - Consistent rhythmic patterns > - Consistent mood or ethos > [!summary] Recognizing a Piece by Haydn or Mozart > > - String dominated, but with occasional solo by woodwinds > - Melody shorter, often in units of 2, 4, or 8 (symmetrical) > - Texture of Classical music mostly homophonic (melody + chordal harmony); > texture is generally lighter > - Bass much less obvious > - Rhythmic patterns, more of a stop and go process > - Mood can change within the same piece or movement; no constant ethos - Vienna: City of Music - A city of the aristocracy - Cosmopolitan center - Viennese Classical School -> Viennese Classical Style - Franz Joseph Haydn - Patronized by Esterhazy family - Earned a lot of money by writing 12 London symphonies - Commissioned to write The Emperor's Hymn - String quartet: "A civilized conversation of learned and equal participants" - Wolfgang Amadeus Mozart ## Classical Genre and Form - Classical music back in the days - "classical music" was once only for entertainment and is disposable. - People go to concert to listen to new music. They may not even pay attention to it, but rather drink and eat and chat and flirt. - Pop music are played in both theater and casino. - Then becomes "High Art" that is written and studied - Genres - Symphony = played by "symphony" orchestra - String Quartet = played by a string quartet - Concerto = usually soloist + orchestra - Sonata = piano or solo + piano - Opera The movements in symphony and string quartet is as below. | Movement | 1 | 2 | 3 | 4 | | -------- | ------------------------------------------ | --------------------------------------------- | --------------------------------------------- | ---------------------------------------------- | | Form | Sonata-allegro | Large ternary, Theme and variations, or Rondo | Minuet and trio in ternary form | Sonata-allegro, Theme and variations, or Rondo | | Mood | Serious and substantive despite fast tempo | Lyrical and tender | Usually light and elegant, sometimes spirited | Bright, lighthearted, sometimes humorous | | Tempo | Fast | Slow | Lively | Fast | As for Concerto and Sonata, the 3rd movement from the above table is removed, other movements remains the same. - K. followed by number = Ludwig von Kochel, who gave a chronological list of Mozart's works, aka K. Number. - Alberti bass - turning chord into triad - _Sonata-Allegro_ form - the "King Kong" of musical forms - Exposition = Presents thematic material - Development = Thematic material from exposition is developed, dramatic tension - Recapitulation = Themes return in original order, resolution, calm is restored - Optional introduction and coda - Example: Mozart, K.545, _Eine Kleine Nachtmusic_ ![Sonata-Allegro Form](http://rampages.us/mhis243/wp-content/uploads/sites/7780/2015/10/sonata-allegro-form.jpg) - _Themes and Variations_ form - Example: Haydn, Symphony No.95 "Surprise" - _Rondo_ form - Usually at the finale, light and active - Example: Mozart, _Rondo alla Turca_ ## Putting the Art in MozART: 3 Classical Pieces - D minor for Mozart - Demonic key - _Piano Concerto in D minor_, K.466 - Mozart = the Father of Piano Concerto - Double Exposition Form - an additional exposition played by orchestra - Piano soloist will conduct; the lid on the piano is taken off - End of recapitulation -> _Cadenza_ - _Don Giovanni_ - = Don Juan in Spanish - Vocal ensemble - singing counterpoints - _The Requiem_ - Mass = Kyrie -> Gloria -> Credo -> Sanctus -> Agnus dei - Requiem Mass = Introit -> Kyrie -> Dies irae -> Confutatis -> Lacrimosa -> Sanctus -> Agnus dei > [!summary] What Makes Mozart Great? > > - Universality > - Perfect balance and proportions > - Endless supply of melodies > - Greatest beauty from simplest of ideas > - Fullest range of musical emotions > [!tips] The Essential Mozart According to CMW > > Listed in order of preference > > - Piano Concertos > - D Minor K. 466 > - C Major K. 467 > - A Major K. 488 > - C Minor K. 491 > - C Major K. 467 "Elvira Madigan" > - G major K. 453 > - Other Concertos > - Clarinet Concerto K. 622 > - Flute and Harp K. 299 > - Symphonies > - Little G Minor No. 25 K.183 > - Prague Symphony No. 38 K. 504 > - Big G Minor No. 40 K. 550 > - Jupiter Symphony No. 41 K. 551 > - Serenades > - _Eine Kleine Nachtmusik_ K. 525 > - Chamber Music > - String Quintet in G Minor K. 516 > - Clarinet Quintet in A Major K. 581 > - Piano Sonatas > - Sonata in C Major K. 545 > - Religious Music > - Mass in C Minor K. 427 > - Requiem Mass K. 626 > - Masonic Funeral Music K. 477 > - Motet: _Ave verum corpus_ K. 618 > - Operas > - _Marriage of Figaro_ > - _Don Giovanni_ > - _Magic Flute_